Dissolution / Revolution: Uwe Tellkamp’s post-89 Novel Der Turm and the Peculiar Configuration of the Public Sphere in the Late GDR
Submitted by Julia Hell, University of MichiganI. When asked to exhibit at the Musée du quai Branly in 2007, the British-Nigerian artist Yinka Shonibare chose the theme of Jardin de l’amour, creating installations that celebrate the French revolution and the revolutions to come. Recently named Member of the British Empire, Shonibare arranged his trademark wax figures in three scenes, inspired by […]